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  • Cinema City: The Heart of Film in Norwich
    17th September 2024

    Cinema City: The Heart of Film in Norwich

  • How Studio Ghibli Films Reflects My Resilience 
    17th September 2024

    How Studio Ghibli Films Reflects My Resilience 

  • Longlegs isn’t the Scariest Film of the Year…and Why it Doesn’t Matter
    19th August 2024

    Longlegs isn’t the Scariest Film of the Year…and Why it Doesn’t Matter

  • Post-Brexit Britain and Xenophobia: The Honesty of The Long Goodbye
    19th August 2024

    Post-Brexit Britain and Xenophobia: The Honesty of The Long Goodbye

  • My Neighbour Totoro’s Return to the Big Screen
    19th August 2024

    My Neighbour Totoro’s Return to the Big Screen

  • Teased, Tanned, and Totally Tubular: How 1980s American Cinema Utilises the Summer Season
    19th August 2024

    Teased, Tanned, and Totally Tubular: How 1980s American Cinema Utilises the Summer Season

  • Film Editor’s column: Ore Adeyoola
    12th June 2024

    Film Editor’s column: Ore Adeyoola

  • Getting involved with film at UEA
    12th June 2024

    Getting involved with film at UEA

  • Challengers (2024) review: Tennis, Sex, Power and Grief
    12th June 2024

    Challengers (2024) review: Tennis, Sex, Power and Grief

  • The Iron Claw: A Devastating Glimpse into Brotherhood, Grief and the World of Pro-Wrestling
    12th June 2024

    The Iron Claw: A Devastating Glimpse into Brotherhood, Grief and the World of Pro-Wrestling

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